I'm almost done with a new record. The new
record is called “How it left me blind”.
It is distinctly a break up record, which won’t be surprising to people
who know me. People love break up
records, so I’m hoping it will be hugely popular. That’s a joke.
The record is more folky than the last few things I have
done. It was recorded thusly: the
acoustic guitar and vocal are all live takes, with no drum machine or click
track to guide them, and then the rest of the stuff was overdubbed over those
takes. More than half of the songs have
backwards guitar parts. There is a lot
of electric guitar, and a fair amount of synthesizer. And harmony vocals.
One of the joys of recording like this is the inevitable
imperfection. Imperfection is probably
the wrong word, since it implies something close to actual perfection. The inevitable chaos. The timing is perpetually off, especially
compared to the perfect symmetry we now expect on recordings. My timing on acoustic guitar is unsteady at best, and overdubbing on those tracks feels like throwing darts from a moving car while the driver pumps the gas. Counter-melodies shift uncomfortably to find their place in the measure,
like a rider taking the last seat on the subway. The rhythms sound right to me, after living
with them, but I worry that they will sound wrong to other people, at least at
first. The decisions are arbitrary, the
arrangements almost taking shape by chance.
The backwards guitar helps – it’s a
little like drawing with your eyes closed, or writing in a mirror. Like cutting your own hair. It’s not chance, but it is a lack of control,
a disconnect between action and results.
Maybe the record doesn't sound as chaotic as I think. It is a folk record after all. It's hard to say, from where I sit, which is so close that everything blurs together.
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